Sober Now

Herein are some ideas that helped me stop abusing alcohol.

Tuesday, December 31, 2013

Canned Heat - On the Road Again live at Woodstock 1969







Published on Feb 14, 2013
 
http://www.beograund.com Canned Heat (feat. Alan "Blind Owl" Wilson, Bob "The Bear" Hite, Harvey "The Snake" Mandel, Larry "The Mole" Taylor, Adolfo "Fito" de la Parra) playing "On the Road Again" at Woodstock Festival (August 16, 1969).
  • Category

  • License - Standard YouTube License




Link: http://youtu.be/DRU8fRWR8ik




Gatemouth Brown w/CANNED HEAT WORRIED LIFE BLUES.





Link: http://youtu.be/QIxAxLgf874


 

Canned Heat - Canned Heat - 01 - Rollin And Tumblin +playlist




 uploaded on Sep 3, 2009
 
I roll and I tumble, cried the whole night long
Yes I roll and I tumble, I cried the whole night long
I got up this morning, feeling that something going on wrong

Well now want you to love me baby, or please let me be
Yes love me baby, or please let me be
If you don't like my peaches please don't shake my tree

Well I want you to love me baby, and come on and say you'll be mine
I want you to love me baby, come and say you'll be mine
If you don't like my potatoes, please don't dig up my vine
  • Category

  • License - Standard YouTube License






 Link: http://www.youtube.com/watch?v=HIbvtdK02AA&feature=share&list=ALBTKoXRg38BDUm896nDcJobrJOHh43RtF



Imogen Heap and Jeff Beck - Rollin and Tumblin live at Ronnie Scott s 20...

Uploaded on May 21, 2009
ROLLING AND TUMBLIN Imogen Heap with Jeff Beck live at Ronnie Scott's 2007 from BBC 4 TV special

LYRICS:

Well, I rolled and I tumbled,
Cried the whole night long
Well, I rolled and I tumbled,
Cried the whole night long
When I woke up this morning,
Didn't know right or wrong

Well if the river was a whiskey
And I was a diving duck
If the river was a whiskey
And I was a diving duck
Well I would dive to the bottom
I swear, I'd never come up.


Well I could have had religion,
In this bad old Sunday
I could have had religion,
In this bad old Sunday
But whisky and bad love,
Wouldn't let me have my way

I rolled and I tumbled
And I rolled and I tumbled
I rolled and I tumbled



 Link: http://youtu.be/uuXcGHjBeac

Friday, December 20, 2013

Deteriorata

Deteriorata!

Last Modified On: April 29, 2007

The following poem was not found in an old Baltimore church:
Introduction
You are a fluke
Of the universe.
You have no right to be here.....
Deteriorata! Deteriorata!

Go placidly
Amid the noise and waste.
And remember what comfort there may be
In owning a piece thereof.

Avoid quiet and passive persons
Unless you are in need of sleep.

Ro-tate your tires.
Speak glowingly of those greater than yourself
And heed well their advice,
Even though they be turkeys.

Know what to kiss.....and when!
Consider that two wrongs never make a right
But that THREE.........do.

Wherever possible, put people on hold.

Be comforted that in the face of all aridity and disillusionment
And despite the changing fortunes of time,
There is always a big future in computer main-te-nance.

Chorus
You are a fluke
Of the universe.
You have no right to be here.
And whether you can hear it or not
The universe is laughing behind your back.

Remember the Pueblo.

Strive at all times to bend, fold, spindle and mu-ti-late.

Know yourself.
If you need help, call the FBI.

Exercise caution in your daily affairs,
Especially with those persons closest to you.
That lemon on your left, for instance.

Be assured that a walk through the ocean of most souls
Would scarcely get your feet wet.

Fall not in love therefore;
It will stick to your face.

Gracefully surrender the things of youth:
The birds, clean air, tuna, Taiwan
And let not the sands of time
Get in your lunch.

Hire people with hooks.

For a good time call 606-4311;
Ask for "Ken."

Take heart amid the deepening gloom
That your dog is finally getting enough cheese.

And reflect that whatever misfortune may be your lot
It could only be worse in Milwaukee.

Chorus
You are a fluke
Of the universe.
You have no right to be here.
And whether you can hear it or not
The universe is laughing behind your back.

Therefore, make peace with your god
Whatever you conceive him to be---
Hairy thunderer, or cosmic muffin.

With all its hopes, dreams, promises and urban renewal
The world continues to deteriorate.

GIVE UP!
Reprise
You are a fluke
Of the universe.
You have no right to be here.
And whether you can hear it or not
The universe is laughing behind your back.


Performed by National Lampoon on "National Lampoon Radio Dinner," a 1972 recording by Blue Thumb Records. Lyrics by Tony Hendra.


The Original

Desiderata


Go placidly amid the noise and haste and remember what peace there may be in silence.
As far as possible without surrender be on good terms with all persons.
Speak your truth quietly and clearly; and listen to others, even the dull and ignorant; they too have their story.
Avoid loud and aggressive persons, they are vexations to the spirit.
If you compare yourself with others, you may become vain or bitter; for always there will be greater and lesser persons than yourself.
Enjoy your achievements as well as your plans.
Keep interested in your own career, however humble; it is a real possession in the changing fortunes of time.
Exercise caution in your business affairs; for the world in full of trickery. But let this not blind you to what virtue there is: many persons strive for high ideals; and everywhere life is full of heroism.
Be yourself. Especially, do not feign affection.
Neither be cynical about love; for in the face of all aridity and disenchantment it is perennial as the grass.
Take kindly the counsel of the years, gracefully surrendering the things of youth.
Nurture strength of spirit to shield you in sudden misfortune. But do not distress yourself with imaginings.
Many fears are born of fatigue and loneliness. Beyond a wholesome discipline, be gentle with yourself.
You are a child of the universe no less than the trees and the stars; you have a right to be here. And whether or not it is clear to you, no doubt the universe is unfolding as it should.
Therefore be at peace with God, whatever you conceive Him to be, and whatever your labors and aspirations, in the noisy confusion of life keep peace with your soul.
With all its sham, drudgery and broken dreams, it is still a beautiful world. Be cheerful. Strive to be happy.

Often attributed as "Found in Old Saint Paul's Church, Baltimore: Dated 1692."
Actually, Desiderata was written in 1927 by an obscure Indiana lawyer and poet named Max Ehrmann. Sources include: The Washington Post, November 27, 1977.





Sunday, April 7, 2013

Thoughts on Recovery


 Money Difficulties?


With so many people today dealing with an ever increasing debt load, bankruptcy, foreclosure and even long term unemployment money becomes a greater and more central stress factor in our lives. As we worry about money problems and falling into debt our whole life revolves around all the negative possibilities of not having money. The more you worry about money the more that you notice every little cent that you spend. The more you are aware of how much you have to spend the more you worry about how little you make.

This creates a vicious cycle of negativity about money and spending.

If you have stopped to consider what is happening you will see the obvious trap. If you are thinking about debt, increasing bills and decreasing income all the time then that is exactly what happens. You will see bills everywhere you go. Going to the mailbox will be a torture that you endure each day because, guess what, inside your mailbox you will find bills. You will also find letters from friends, birthday cards or maybe even a coupon book that will help to save money, but you won’t see them because you are focused on debt, bills and lack of cash.

You have to stop thinking about debt and lack of money, which are negative thoughts, and start thinking about positive thoughts. See yourself going to the mailbox and finding a check or a book of coupons that will save you money at the store. See yourself having what you need and being grateful for all that you have. Don’t dwell on what you don’t have but look to the future and to the blessings that you have today. When you start to focus on all the wonderful things in your life, many which have nothing to do with money, you will automatically feel spiritually richer and more fulfilled. This in turn leads to a positive view of the future and chances to change your positive financial opportunities in the world around you.





Do You Want To Live In The Real World In 2012?


Many people that don’t feel a strong sense of connection to the world around them turn to ways to escape into a reality where they feel they do have a connection. This can be a very powerful escape mechanism that often doesn’t look like the addiction that it is. In my book the Law of Sobriety I focus on how alcohol and drug addictions can ruin lives, but in reality the computer can be just as problematic. Making a change from spending hours on the computer to connecting to real people in the world around may be the best New Years resolution if you find yourself in this addiction trap.

People may turn to a variety of aspects of the internet and the computer to escape from the negativity of the world they are currently experiencing. This may include internet porn, spending hours and hours on social media websites or becoming a constant player in 3D and role playing games that allow players to create a powerful persona that is just the person we want to be.

While this may seem like a healthy escape it is absolutely devastating. People that rely on these online simulations and games become more isolated and alone in the real world. What needs to happen is all the energy that is going into creating that perfect online persona needs to go into envisioning yourself being successful in the real world. You need to see yourself in social settings, meeting new people, building that relationship you seek and interacting in your community. By opening up all the possibilities of these types of real and positive relationships in your mind you are prepared when the opportunities arise. When you are off the computer and in the real world you will find that the person you want to be is right there inside of you; not just in some virtual world on your computer.




Sherry Gaba LCSW, Psychotherapist, Life & Recovery Coach is featured Celebrity Rehab on VH1. Sherry is the author of The Law of Sobriety which uses the law of attraction to recover from any addiction.

 Please download your Free EBooks from Sherry™s Enrich Your Life Series. Contact Sherry at sherry@sgabatherapy.com for webinars, teleseminars, coaching packages and speaking engagements.

Listen to Sherry on A Moment of Change with Sherry Gaba on CBS.

Sherry Gaba, LCSW, Psychotherapist and Life Coach on Celebrity Rehab

Source:

Sherry Gaba, LCSW, Psychotherapist and Life Coach

http://thelawofsobriety.com/

http://www.sherrygaba.com/blog












Best Choice for Alcohol Addiction: Couples Therapy



By Rick Nauert PhD Senior News Editor

Reviewed by John M. Grohol, Psy.D. on April 21, 2010


A new research effort assessed the benefit of cognitive behavioral therapy (CBT) for alcohol-dependent women.

The innovative research design also investigated if CBT was more effective if delivered as couples therapy rather than individual therapy.

Investigators Barbara McCrady and Elizabeth Epstein report that both treatment methods worked well, but women treated in couples therapy maintained their gains a bit better than those in individual therapy.

Also, women suffering from depression in addition to alcohol dependence did better in couples therapy.

Their paper appeared recently in the Journal of Consulting and Clinical Psychology.

Epstein is an associate research professor at Rutgers’ Center of Alcohol Studies. McCrady, formerly a professor of psychology at Rutgers, now directs the University of New Mexico’s Center on Alcoholism, Substance Abuse and Addictions.

Alcohol use disorders hit women particularly hard, physically and psychologically.

Epstein and McCrady cite earlier studies’ findings that between 4 and 8 percent of women under age 44 are alcohol-dependent, that as many as 65 percent of alcohol-dependent women have some additional psychiatric disorder, and that women are less likely to seek treatment for alcoholism than men.

Alcohol-dependent women have high rates of distressed marriages and not much support from members of their social networks when they try to break that dependence. Until recently, there has not been much research on unique treatments for alcohol use disorders in women.

McCrady and Epstein recruited 102 women with newspaper ads and referrals from other alcohol treatment programs. They were looking for women who were alcohol-dependent, married or in a committed relationship with a man for at least six months, and whose male partners were willing to participate in therapy.

Both groups received 20 out-patient sessions of cognitive behavioral therapy over six months, for which the goal was abstinence from alcohol. Seven therapists, all trained both in individual and couples therapy, saw the clients.

After the 20 sessions,, each participant received followup interviews on the phone and in person for another year. For each woman in each of the 18 months of the study, researchers calculated the percentage of days abstinent and the percentage of days of heavy (more than three drinks in a day) drinking.

Nearly half the women started abstaining before the first treatment session, the researchers wrote. For the first month of treatment, the abstinence rate for women still drinking in both groups rose sharply – more sharply for women in couples therapy, perhaps because they had a slightly lower rate of abstention to start with.

During the year following treatment, the women in couples treatment reported fewer heavy drinking days than women in individual treatment.

The researchers concluded that there is a widespread need for specific treatments for alcohol-dependent women, and that social support for change is important. However, not all women have spouses, and not all spouses are supportive.

Epstein and McCrady are currently recruiting women for another study comparing individual and group therapy. Participants needn’t be married or in a committed relationship for this study.

Source: Rutgers







Source:
Best Choice for Alcohol Addiction: Couples Therapy
 http://psychcentral.com/news/2010/04/21/best-choice-for-alcohol-addiction-couples-therapy/12992.html

APA Reference

Nauert PhD, R. (2010). Best Choice for Alcohol Addiction: Couples Therapy. Psych Central. Retrieved on April 30, 2012, from http://psychcentral.com/news/2010/04/21/best-choice-for-alcohol-addiction-couples-therapy/12992.html





Great drinkers think themselves important men

Vincent van Gogh

Artfully insane

Vincent van Gogh was certainly skilled... and possibly a little psychotic too
It's been nearly 120 years since Vincent van Gogh painted his iconic Sunflower series. The canvases, reminiscent of the late days of summer, examine the blooms in various
stages of life and decay. The artist's revolutionary use of colour, yellow in particular, may be the defining feature of his life's work, though his ability to evoke intense emotion using the simplest of subjects is perhaps just as significant. Like his beloved blossoms, Van Gogh's mind was in a perpetual state of change.
Van Gogh once wrote, "the sunflower is mine in a way." If only he had felt so strongly about his ear, part of which he so famously lopped off after an argument with Gauguin in 1888. What would prompt someone to do such a thing? Since his death in 1890, literally hundreds of medical historians and psychiatrists have posited theories as to what drove the brilliant artist insane. Whatever it was that pushed him over the edge, Van Gogh has become the archetype for the mad artist, whose genius was too great for his mind to bear.

THE MAN BEFORE THE MADNESS

Vincent was born on March 30, 1853 to Anna Cornelia Carbentus and Reverend Theodorus van Gogh in Groot-Zundert, the Netherlands. Little is known about his interest in art or his propensity for painting as a child, but his first official foray into the art world occurred at the age of 16 when he was apprenticed at the Hague gallery run by the Paris-based international art dealers, Goupil & Cie. After being shuffled around to various galleries for the next seven years, Vincent finally decided to quit art sales and enter the clergy, motivated by his love of the Bible and his desire to do some good. However, his obsessive tendencies soon became clear; the young preacher was a bit too zealous, prematurely starting his own ministry, rejecting all worldly possessions and living like his poor parishioners. Eventually, he was fired by the church.

The year was 1881 and he was already 27 years old. With few employment prospects and encouraged by his brother and best friend Theo, who also worked for Goupil & Cie., Vincent decided to try his hand at art, despite his lack of formal training. He moved to Brussels and, supported by his family, began taking classes at the Royal Academy of Art. Their trust in him was soon rewarded: Vincent showed remarkable promise. He painted with an undeniably unique style, achieving striking effects from average subjects. He travelled some and found peasant life to be his greatest inspiration.

The Potato Eaters (1885) is universally acknowledged as his first major work, but at the time it wasn't exactly received as a success. In his personal life, too, the veneer was beginning to crack. Though always prone to drama and intensity, Vincent's behaviour became more and more erratic. He allegedly fathered a child or two with a notorious alcoholic prostitute and argued constantly with his parents (who were less than thrilled about the prospect of supporting his unseemly girlfriend and her illegitimate offspring). Eventually, Vincent left her and moved to Brabant in the Netherlands in 1883, where his parents were living. He became incredibly prolific during this time, churning out dozens of canvases and seemingly endless drawings and sketches.

SILLINESS AND SYPHILIS

A couple of years later Vincent moved to Antwerp in Belgium, where big city life lifted his spirits somewhat, but also introduced him to a new problem: absinthe. Van Gogh drank heavily during this time, smoked like a fiend and led a generally debauched lifestyle, enjoying the company of prostitutes and badly neglecting his health. Though in Antwerp he received inspiration and further training, his time in the city also left him with syphilis.

In 1886, he moved to Paris to be with his brother. Guided by Theo, who tried to sell Van Gogh's canvases in his Montmartre gallery, Van Gogh began to leave the darker colours he favoured for the brighter hues of the popular Impressionists.

In Paris, he came into his own, developing his new palette, refining his personal style and technique, meeting friends like Gauguin and Toulouse-Lau¡trec, and painting many famous canvases, including his self-portraits. He moved to Arles in the south of France in 1888, hoping to establish an artists' community there. As a gift to welcome Gauguin, Van Gogh painted his Sunflowers to decorate his friend's bedroom. In Provence, Van Gogh produced some of his most beloved and brightest work. He painted obsessively for months on end, inspired by the light and beauty of the country.

His mind, however, was not as sharp as his artistic eye. Drinking and smoking incessantly, he began to experience delusions and seizures, in what many at the time attributed to epilepsy.

His friendship with Gauguin ended on December 23, 1888 when Vincent threatened him with a knife, the culmination of months of arguing about art and Vincent's fears that Gauguin would abandon him, which he promptly did. Destitute and alone, Vincent sliced off part of his own left ear, wrapped it in newspaper and offered it as a macabre gift to a prostitute named Rachel.

Pretty soon, Vincent was institutionalized back in Arles so his brother could keep a closer eye on him. He was plagued by manic episodes, disturbing visions and paranoia, believing he was being poisoned.

ARTISTIC ASYLUM

Van Gogh would be in and out of mental institutions for the rest of his life, alternating between bouts of psychosis and relative normalcy. In 1889, he committed himself to one such asylum in Saint Rémy, back in Provence. Here, he painted mostly in a very distinct swirling, tremulous style, one characterized by his masterpiece from this time, The Starry Night.

He was permitted to use an empty cell as an atelier and painted what he could see out the window and what he could remember, sometimes copying other painters' works for lack of visual inspiration of his own. When he was well, he was allowed to walk the grounds and paint outside. At one time, however, after he tried to kill himself by eating paint, his doctors restricted him to drawing. Despite these adverse conditions, Van Gogh arguably created his best works at Saint Rémy. Although he left the institution in 1890, he was obviously still not well. He entrusted himself to the care of a doctor in Auvers-sur-Oise recommended to him by Camille Pissarro, Dr Paul Gachet. Gachet was a bit of a lunatic and an ama¡teur painter himself, and despite the fact that Van Gogh cared for him deeply, the man was not able to do much to improve his patient's condition. During the two months he spent with the doctor and despite enjoying a brief period of calm, Van Gogh suffered from increasing alcoholism, depression and delusions.


Though he had lived and painted in relative poverty and obscurity for many years, Van Gogh's work was finally garnering serious attention. Monet himself praised him and several critics hailed him as a genius. But it was too little, too late. Of the 900 or so canvases (and 1100 drawings and sketches) he is known to have created, Van Gogh sold only one painting in his life -- The Red Vineyard -- even though his brother tried his best for years. It would have been enough to push a far lesser man over the edge.
One afternoon, Van Gogh walked into a field in Auvers-sur-Oise, shot himself in the chest and died two days later on July 29, 1890. He was only 37 years old and believed he was a failure as an artist and a man. The field was one he had painted earlier in the month in the foreboding Wheatfield with Crows, in which three separate paths diverge into the wheat under a sky of brooding black birds.

MEDICAL MYSTERY

So many theories have been put forth to explain the madness of the man, including porphyria, schizophrenia, tertiary syphilis, lead poisoning from eating paint chips and that psychiatric catch-all, bipolar disorder. Of them, one of the favourites is absinthe toxicity since it could explain his predilection for yellow and his deteriorating mental state.

Absinthe, taken in great quantities (which was certainly the case with Van Gogh) may result in xanthopsia -- an optic condition which imparts a yellowish-greenish tinge to the vision. Xanthopsia is also caused by too much digitalis, the active ingredient in the digoxin Van Gogh may have been prescribed to treat his purported epilepsy.
Indeed, many believe that Van Gogh's physical and mental problems altered his perception and therefore were at least partially responsible for his painting style. The stylized rings and swirls characteristic of his technique in The Starry Night, for example, which he painted in 1889 while in Saint Rémy, could have been influenced by the visual halo effects of Van Gogh's drinking and drugging.
It is unlikely, though, that the exact nature of Van Gogh's madness will ever be known. He believed that without his work, he would have gone completely insane, having once said, "It is only too true that a lot of artists are mentally ill -- it's a life which, to put it mildly, makes one an outsider. I'm all right when I completely immerse myself in work, but I'll always remain half crazy." Thankfully, despite his colourful personality, the true legacy he leaves is on canvas.

 






Parkhurst Publishing is based in Montreal, Quebec in Canada. It provides clinical, medical news and travel publications to physicians and their patients and maintains a variety of related websites.







Friday, March 15, 2013

Modern Drunkard Magazine

Modern Drunkard Magazine
http://www.drunkard.com/issues/10_06/10_06_andre_giant.html


Andre


Do you have a favorite drunkard?

Some amazing man or woman, past or present, who stands colossus-like atop the Big Keg, the ground below littered with crushed empties and the blacked-out carcasses of lesser beings? A verging demigod, whose prowess with a bottle leaves you shaking your head in pop-eyed adoration? Lots of us do.

In addition to their wrist-raising abilities, we deify great drinkers because they indulge their lust for intoxication while simultaneously operating at the peak of their powers in whatever their chosen profession. In other words, great drunks are also great writers, actors, athletes, scientists, statesmen, philosophers, and so on.

I have a favorite drunkard. He was an athlete—a professional wrestler in fact—but he was also a gifted entertainer and a true artist. His parents named him Andre Rene Rousimoff, but we knew him as The Eighth Wonder of the World, Andre the Giant.

For two decades, from the late 1960s through the mid 1980s, Andre the Giant was the highest paid professional wrestler in the business and a household name across the globe. Promoters fought tooth and nail to book Andre, as his presence on a card all but guaranteed a sell-out. Fans cheered his every move, and mobbed him on the street as if he were a great big Beatle.

For proof of his drawing power, look no further than Wrestlemania III in 1987. The main event was Andre vs. Hulk Hogan. The show drew the first million-dollar gate in wrestling history, set a pay-per-view record that lasted a decade, and set the all-time indoor attendance record for any live event ever—78,000+ butts in seats at the Pontiac Silver Dome in Detroit—destroying the previous record set by some rock band called the Rolling Stones. His rematch with Hogan two months later, broadcast live on NBC, attracted 33 million viewers, making it the most watched wrestling match ever.

119 BeersKnown to his friends simply as “Giant” or “Boss,” Andre was born on May 19th, 1946, in Grenoble, France, the child of Russian immigrants. Shortly after his birth, he was diagnosed with a rare glandular disease, acromegaly, which caused his body to over-produce growth hormones. As a result, Andre grew to a height of somewhere between 6’11” and 7’5” and a weight of over 500 pounds (his actual height and weight have been speculated about for decades—the business is notorious for inflating wrestlers’ statistics—but Andre’s illness sometimes made him slouch or bow his shoulders, so he might well have been the advertised 7’5”). He first wrestled as Andre the Butcher, but it was Vincent J. McMahon Sr., owner of New York’s World Wide Wrestling Federation (WWWF), who christened him “Andre the Giant.”

While it can be argued that a miniscule handful of professional wrestlers matched Andre’s in-ring achievements (Gorgeous George back in the ‘40s and ‘50s, perhaps; Dusty Rhodes in the ‘70s, and Hulk Hogan, without a doubt, in the ‘80s), no other wrestler ever matched his exploits as a drunkard. In fact, no other human has ever matched Andre as a drinker. He is the zenith. He is the Mount Everest of inebriation.
As far as great drunkards go, there is Andre the Giant, and then there is everyone else.

The big man loved two things: wrestling and booze—mostly booze—and his appetites were of mythic proportion.

First, consider the number 7,000. It’s an important number, and a rather scary one considering its context, which is this—it has been estimated that Andre the Giant drank 7,000 calories worth of booze every day. The figure doesn’t include food. Just booze.

7,000 calories.

Every day.

I don’t know about you, but it makes my brain turn somersaults. Hell, it makes my brain perform an entire floor routine, complete with colored ribbons.

When Andre arrived in New York to begin his long working relationship with the McMahon family, his reputation as both a serious student of the nightlife and an extravagant spender was already a topic of speculation and wonder among East Coast wrestlers and promoters. Andre might make $15,000-$20,000 for a single appearance at Madison Square Garden, and a substantial amount of that went to settling the bar tabs he piled up as he boozed his way up and down Manhattan until sunrise. Andre’s generosity matched his size. He often invited a gang of fellow wrestlers along for the ride, as he disliked drinking alone, and picked up some truly staggering tabs. Andre was going to have a good time and went out of his way to make sure everyone else did too.

Worried about his headliner, Vince McMahon Sr. assigned a “handler” to the Giant—long-time wrestler, manager, and road agent, Arnold Skaaland, whose only job when Andre was in town was to keep him out of serious trouble and get him to the arena in time to wrestle. Skaaland was an old-school drinker in his own right, but Andre blew his mind. On one occasion he could only watch goggle-eyed as Andre went about demolishing a dozen or so quarts of beer as a “warm-up” for a match.

With Skaaland on the job, Vince Sr. knew Andre was in capable hands, but the promoter still worried about how the Giant would cope with the insane amount of travel required of a wrestling superstar. Andre loathed flying—no commercial airliner could accommodate such a massive man without resorting to the luggage compartment—and his opinion of most cars wasn’t much sunnier, because aspects of his disease caused intense pain in his knees, hips and lower back when he remained too long in a cramped position. When a tight schedule left a plane or car as the only option, Andre eased his discomfort by getting good and hammered.

Vince Sr. pondered the situation and arrived at a novel solution. He wanted to keep the big man happy, so he bought a trailer and had it customized just for Andre. With plenty of room to spread out and relax, Andre could now travel in a semblance of comfort, which allowed him to do some serious boozing. During trips Andre consumed beer at the incredible rate of a case every ninety minutes, with bottles of vodka or top-rate French wine thrown in for variety.

Sadly, the trailer wasn’t available outside the WWWF territory; Vince Sr. wasn’t about to do the competition any favors. Andre didn’t expect other promoters to pony up a trailer just for him, so he commissioned a customized Lincoln Continental. With the front seat now positioned about where the back seat would normally be, Andre had a little leg room. He carried his luggage and wrestling gear in the trunk and towed his necessities in a trailer. Lined with plastic tarps, the rickety trailer was filled with ice and cases of Budweiser tallboys. As he cruised the nation’s highways, Andre kept a case on the seat beside him, stopping only for food, more ice, and another case or two if he ran low.

As famous as Andre was in this country, he was even bigger in Japan. He spent a few months out of every year over there, where he was treated like a living god and pocketed five-figure payoffs for a single night’s work. That being said, Andre didn’t really like Japan. Everything was too small. Hotel beds were like bassinets and it was all but impossible for him to shower or go to the bathroom in their Lilliputian facilities. He was known to rip the door off his hotel bathroom and make use of the toilet by sitting sideways with his legs sticking out into the main room.
Getting from show to show presented its own problems. Japanese promoters preferred to transport the gaijin wrestlers by bus, vehicles which steadfastly refused to house giants. In order to placate their star import, promoters removed several rows of seats from the back of the bus, creating something of a private cabin for Andre, a place spacious enough for him to stretch out or catch a nap. Mostly, though, Andre used the space as a comfortable spot to do his drinking.

A very green rookie wrestler named Hulk Hogan toured Japan several times with Andre and witnessed the Giant’s alcohol consumption first hand. According to Hogan, Andre drank, at a minimum, a case of tall boys during each bus ride. When he finished a can Andre would belch, crush the can in his dinner-platter-sized hand, and bounce the empty off the back of Hogan’s head. Hogan learned to count each thunk, so he could anticipate when Andre was running low. Whenever the bus stopped, it was Hogan’s job to scamper off to the nearest store, buy as many cases of beer as he could carry, and make it back before the bus departed, a sight that never failed to make Andre roar his bassoon-like laugh.

On one tour, Andre’s Japanese sponsors rewarded him with a case of expensive plum wine. Andre settled down in the back of the bus and started drinking. Four hours later, the bus arrived at the next venue, and Andre was polishing off the last bottle of wine.

Sixteen bottles of wine in four hours is a considerable feat, but it gets better. Andre proceeded straight to the ring and wrestled three matches, including a twenty-man battle royal. The 16 bottles of plum wine had no discernible effect on Andre’s in-ring ability. By the end of the evening, Andre had sweated off the wine and found himself growing cranky. He dispatched Hogan for a few cases of beer. Hogan hurried to do as Andre asked, knowing from painful experience that a drunken Giant was a happy Giant, and a happy Giant was less likely to fracture some vital part of an opponent’s anatomy in a fit of grumpiness.

In 1977, “The American Dream” Dusty Rhodes wrestled Andre at Madison Square Garden. Afterwards, the old friends went out on the town. They adjourned to one of Andre’s favorite watering holes and took stools at the bar (Andre occupied two). Several hours and some 100 beers later (around 75 of them were Andre’s), they decided to head back to their hotel. Andre looked at taxis with the same scorn as most other conveyances and announced that he and Dusty would walk, which was problem because Dusty was having trouble maintaining a vertical position. Andre studied the situation, and a twinkling grin blossomed across his huge face. People who spent any time with the big man quickly learned to watch for that grin. It was a harbinger of danger. It meant that Andre was contemplating something risky, something with potential legal ramifications, but also, most assuredly, something fun.

A moment later, the two huge wrestlers attacked a pair of horse-drawn carriages. Dusty threw a handful of paper money at one driver while Andre hauled the other from his seat with one hand. While one driver cursed and the other scrabbled around on the ground collecting his windfall, Andre and Dusty thundered off in the carriages. They raced through the Manhattan streets, dodging cars and pedestrians for fifteen blocks before ditching the carriages and lathered horses a block from their hotel. By the time the cops arrived, Andre and Dusty were enjoying snifters of brandy in the hotel bar, appearing as innocent as angels. The next day, they main-evented another card at the Garden. Another sell-out. Two pros at the top of their games.

Another time, in the ‘70s, Andre was holding court at a beach-front bar in the Carolinas, boozing it up with fellow wrestlers Blackjack Mulligan, Dick Murdoch, and the inimitable Ric Flair. They’d been drinking with gusto for hours when Flair goaded Mulligan and Murdoch into some slap-boxing with Andre, who had poured over 60 beers down his gullet. One of the two “accidentally” sucker-punched Andre. The Giant became enraged, grabbed both Mulligan (6’5”, 250 lbs.) and Murdoch (6’3”, 240 lbs.) and dragged them into the ocean, one in each hand, where he proceeded to hold them under water. Flair intervened, and Andre released the men, assuring them he was only playing around. Murdoch and Mulligan, who had nearly drowned, weren’t so sure, but neither messed with Andre the Giant again. They also picked up the tab.

On another occasion, Andre was touring the Kansas City territory and went out for drinks after a show with Bobby Heenan and several other wrestlers. When the bartender hollered last call, Andre, slightly annoyed, announced that he didn’t care to leave. Rather than risk an altercation with his hulking customer, the bartender told Andre he could stay only if he was drinking, imagining, surely, that he would soon be rid of the big fella. Andre thanked the man, and proceeded to order 40 vodka tonics. He sat there drinking them, one after another, finishing the last at just after five in the morning.

When ill health forced Andre to largely quit wrestling in the late ‘80s, he accepted the role of Fezzik in Rob Reiner’s movie The Princess Bride. Everyone on the set loved the big man, with the possible exception of Reiner himself. Ever the sociable fellow, he kept fellow cast members Mandy Patinkin and Carey Elwes out night after night, drinking and otherwise goofing around. The actors were incapable of matching Andre’s intake, but certainly gave it a serious try. As a result, they often showed up on set still loaded or suffering from the sort of hangovers that make death seem a pleasant alternative. Reiner tried to get Andre to leave the actors alone, but Andre could only be Andre, and the other cast members continued to pay the price.

The shooting schedule required Andre to be in England for about a month. When his part wrapped, Andre checked out of his suite at the Hyatt in London and flew back to his ranch in North Carolina. His bar bill for the month-long stay?

Just a shade over $40,000.

Now, if everything I’ve described so far isn’t proof enough that Andre the Giant was the greatest drunkard who ever lived, these last two stories should set my claim in granite.

You won’t find it in the Guinness Book of World Records, but Andre the Giant holds the world record for the largest number of beers consumed in a single sitting. These were standard 12-ounce bottles of beer, nothing fancy, but during a six-hour period Andre drank 119 of them. It was one of the few times Andre got drunk enough to pass out, which he did in a hallway at his hotel. His companions, quite drunk themselves, couldn’t move the big man. Fearing trouble with cops, they stole a piano cover from the lounge and draped it over Andre’s inert form. He slept peacefully until morning, unmolested by anyone. Perhaps the hotel people thought he was a piece of furniture.

Think about it: 119 beers in six hours. That’s a beer every three minutes, non stop. That’s beyond epic. It’s beyond the ken of mortal men. It’s god-like.

Giants are not made long for this world, and toward the end of his life injuries and health problems caused by the acromegaly caught up with Andre. It became difficult just to walk, let alone wrestle, so he retired to his North Carolina ranch to drink wine and watch the countryside. He declined myriad requests for a comeback, despite promises of lavish payoffs. He was simply in too much pain to perform at the level he demanded of himself. Then he received a call from Vince McMahon Jr.

McMahon was in the midst of taking his WWF promotion national. He’d scored big-time with his Wrestlemania events on pay-per-view, and as Wrestlemania III approached, Vince Jr. was hot to make it the biggest thing yet. To make that happen, he needed Andre the Giant.

Andre was in France visiting his ailing father when the call came. He thanked Vince Jr. but said there was no way he could get back in a ring, even though he very much wanted to. Not willing to give up, Vince Jr. flew to France to speak with Andre in person. He took Andre to see doctors specializing in back and knee maladies. Radical back surgery was proposed. If successful, the procedure would lessen Andre’s pain and perhaps make it possible for him to get in the ring for Wrestlemania. If Andre was game, Vince Jr. agreed to pay for the entire cost of the surgery.

The time arrived, and the anesthesiologist was frantic. He had never put a person of Andre’s size under the gas before and had no idea how much to use. Various experts were brought in but no solution presented itself until one of the doctors asked Andre if he was a drinker. Andre responded that, yes, he’d been known to tip a glass from time to time. The doctor then wanted to know how much Andre drank and how much it took to get him drunk.

“Well,” rumbled the Giant, “It usually takes two liters of vodka just to make me feel warm inside.”

And thus was a solution found. The gas-passer was able to extrapolate a correct mixture for Andre by analyzing his alcohol intake. It was a medical breakthrough, and the system is still used to this day.

Five months later, Andre the Giant wrestled a “body-slam” match against Hulk Hogan and brought down the house.

Two liters of vodka. Warm and fuzzy. Side by side like that, the two sentences hardly make any sense. For most of us, two liters of vodka means a one-way ticket to Blackout Island aboard the good ship Regurgitania.

After Wrestlemania, Andre retired for good. His beloved father died in 1993 and Andre returned to France to be with his family. He was still there when, on January 26th, 1993, Andre died in his sleep of heart failure at the age of 47.

The key to Andre the Giant is this — even as a youth he knew that his disease would dramatically shorten his life. He knew there was no cure, and lived every day with the understanding that death could shamble around the very next corner. Knowledge of this sort can darken a life.

It did not darken Andre’s.

He chose instead to pack his days with as much insane, drunken fun as they could hold. Instead of languishing in the darkness, he chose to walk in the sun.

I’ve said it before, and I’ll say it again now. Andre the Giant was an inspiration. I would pay a fortune for the opportunity to go back in time 30 years to watch such a master practice his craft, in the ring and at the bar.

Andre the Giant was the very embodiment of what being a drunkard is all about.
—Richard English

(Note: The Author is indebted to the works of Brian Solomon, Ric Flair, Terry Funk, “Superstar” Billy Graham, Dave Meltzer, Bobby “The Brain” Heenan, and Hulk Hogan.)





Source:
Modern Drunkard Magazine
http://www.drunkard.com/issues/10_06/10_06_andre_giant.html



Popular Delusions

US RESEARCH ANALYSTS.
GLOBAL
STRATEGY
January 2013
SPECIAL REPORT
Extract from a report
Cred and
Credulity
A collection of Popular Delusions
essays
from 2009 to 2012
  Popular Delusions
 
   
 
 



 

Great drinkers think themselves important men Royalty Free Stock Vector Art Illustration 
 
 
 
 
 

Saturday, February 2, 2013

DRINKING ALONE BY MOONLIGHT by Arthur Waley.

 Fascinating titles always catch my attention..... No mention of Tequila here...?

..............................


 

DRINKING ALONE BY MOONLIGHT

[Three Poems]

 

 

I

A cup of wine, under the flowering trees; 
I drink alone, for no friend is near.  
Raising my cup I beckon the bright moon,  
For he, with my shadow, will make three men.  
The moon, alas, is no drinker of wine;  
Listless, my shadow creeps about at my side.  
Yet with the moon as friend and the shadow as slave 
I must make merry before the Spring is spent.  
To the songs I sing the moon flickers her beams;  
In the dance I weave my shadow tangles and breaks.  
While we were sober, three shared the fun; 
Now we are drunk, each goes his way. 
May we long share our odd, inanimate feast,  
And meet at last on the Cloudy River of the sky.[1]
 

II

In the third month the town of Hsien-yang 
Is thick-spread with a carpet of fallen flowers.
Who in Spring can bear to grieve alone?  
Who, sober, look on sights like these?  
Riches and Poverty, long or short life,  
By the Maker of Things are portioned and disposed;  
But a cup of wine levels life and death  
And a thousand things obstinately hard to prove.  
When I am drunk, I lose Heaven and Earth. 
Motionless—I cleave to my lonely bed.  
At last I forget that I exist at all,  
And at that moment my joy is great indeed. 

III

If High Heaven had no love for wine,  
There would not be a Wine Star in the sky.  
If Earth herself had no love for wine,  
There would not be a city called Wine Springs.[2]  
Since Heaven and Earth both love wine,  
I can love wine, without shame before God.  
Clear wine was once called a Saint;[3] 
Thick wine was once called “a Sage.”[3]
Of Saint and Sage I have long quaffed deep,  
What need for me to study spirits and hsien?[4]  
At the third cup I penetrate the Great Way; 
A full gallon—Nature and I are one ...  
But the things I feel when wine possesses my soul 
I will never tell to those who are not drunk.
 
[1] The Milky Way.
[2] Ch‘iu-ch‘üan, in Kansuh.
[3] “History of Wei Dynasty” (Life of Hsü Mo): “A drunken visitor said, ‘Clear wine I account a Saint: thick wine only a Sage.’”
[4] The lore of Rishi, Immortals.










 Source:
The Project Gutenberg eBook of More Translations from the Chinese, by Arthur Waley.

http://www.gutenberg.org/files/16500/16500-h/16500-h.htm#DRINKING_ALONE_BY_MOONLIGHT